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Bob, I'm impressed just by the drawing. Did you draw that by hand and then scan it to add the text? I might have been able to do to that in high school but I think I've lost both the skill and the patience. And I'm guessing I'm a couple decades younger than you. One thing I guess I'm not so keen on is the wire protruding below the ties and thus it must require careful channeling of clearance in your cork or whatever roadbed you use. But I guess with some planning ahead and precise measuring that can be taken care of.I guess I'm also unclear on just how you'd get the wire to hold the points down and prevent vertical alignment problems. I can visualize what you're saying about the flat-jawed plier, but does the wire not bend and become looser over time? Is it ordinary brass wire or did I miss something about the material?
Great pic Bob, very clear and informative. Thanks for sharing! Side note, in this day of computer-generated everything, it sure is refreshing to see such a well-done hand drawing! One question WRT the double-throwbar: do you ever notice any issue with either of the moving throwbars binding or rubbing against the stationary PCB ties? I should think it would be OK as long as one carefully locates everything before drilling the thru-holes for the brass wire. Do you use a shim or anything to ensure proper spacing? One thing I found with the fret that I did not expect: the web of the fret itself actually acts as a shim between the top of the throwbar and the bottom of each stock rail, but not between the throwbar and the bottom of the point rails. So if the latter are snug to the throwbar, the shim introduces enough drag on the throwbar to keep the points from moving freely. This maybe could be acceptable for manually-actuated points, but makes it hard for the Tortiose wire to move the points. I ended up trimming away the fret web where the throwbar goes, but it was kinda lucky that I was still able to get under there at that point. If I ever revise this drawing I will have to be sure to add a gap for that.I think that the bent wire under the bottom of the throwbar could be a bit tricky to do with the detail fret, the reason being the presence of all the wood ties would only allow a pliers to reach from the side (even if the whole assembly was lifted from the roadbed).With the P87 hinges, what do you use to keep the point heels in vertical alignment? On this turnout I used two P87 hinges on each rail, which helped but is still a bit loose and leaves a bit of a bump (not too serious in this case, lucky for me). Regular rail joiners would not of course have this problem.Thanks,Ed
Some things that I would do differently next time:- Better gapping of the PCB ties. I used a Dremel cutoff wheel and so these gaps came out way too big. Again, this is a matter of developing the right technique. I will try to disguise them as sort of gauge plates (which can be seen on some proto turnouts not just in the point/swich areas) (hope that is not too out-of-place looking, this is after all supposed to be a heavy mainline turnout.)Cheers!Ed
- I gapped the frog by cutting thru the rails with a jeweler's saw. This required chucking the whole turnout in a vice and threading the very fine blade between the two PCB ties on either end. It was heart-stoppingly delicate process, esp. with the long lengths of flextrack wagging freely as I cut. While the results came out way better than anything I could do with a Dremel, I still would like to find a smarter way to do this. An etched or cast frog would of course avoid the issue, but I did not make one, and nothing like that is available in the #12 size that I needed.Cheers!Ed
Athabasca Shops use to offer a similar product for detailing switches but I never saw someone using them. Looking forward to seeing how it turns out.
The concept worked very well- photo etched rail head / web top and web / base that stacked and soldered .... The same concept could be used to create frogs ....