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I was merely suggesting that maybe "something moved"- hence a slight alignment issue.I still don't think that lube present or not present on new trucks would do what you've described.... but of course I might be wrong.Looking forward to your report when you get some grease to add to the trucks.
John Sing wrote:"Surely the engineers that designed Kato, Atlas mechanisms, or similar mechanisms in other fields/products, must have some deep expertise / knowledge / tools they used, documented somewhere". John brings up an interesting topic.In my 25 years in the Model Railroad Industry I have worked with a number of factories that produce our trains. I have a great deal of respect for their knowledge, expertise and professionalism in the creation, research, design, engineering, manufacturing, production and assembly and maintaining the business involved in bringing models to us. However, all of them exhibit serious weaknesses that all of the importers struggle with to some degree or another.....
Noseman Jack: You seem to only use oils when you are servicing your models. Not that there is anything inherently wrong with that, but IMO while the light oil will work well inside shaft bearings, it will not provide adequate lubricant film on open surfaces which require lubrication. When I tune up my models I use both, oils and greases. To me oils are best suited for rotating shafts, while grease type of lubricant is best suited for lubricating worm and gear teeth and other slow-moving parts.I use the Woodland Scenics lubricant set. Light oil on motor and worm shafts and on any other gear shafts. Then I use the Teflon Grease on the truck pivots and on warm and gear teeth.
Even the superior split frame diesel mechanism and low friction electrical pickup concepts are sadly not universally used. Not to say there are no new ideas that may be better...but so far these successful concepts have not been improved upon.Model Railroad products require a degree of precision in design and manufacture equaled only by the Medical and Aerospace industries.
Charlie, thank you very much for this insight into what goes on behind the scenes at the model railroad manufacturers. You confirmed my speculations of why even new models are not using proven mechanism designs, and why Kato for example tries to "outdo" themselves with "better and better" more advanced mechanisms which are mechanically superb, but actually too delicate and failure-prone in actual use. It is too bad that more model RR design engineers do not follow the most logical path of using the best, but not over-complicated designs.
Yes, thanks Charlie for weighing in. You likely understand more about this business than almost everybody on the forum (combined).That said, I'm guessing that your comments regarding the "superior split frame design," are relative to some of the manufacturers who still use more archaic solid frames (e.g. the recent BLI F units, which are the topic of lively treads on several forums). I would contrast this with Kato's non-split frames in the E units, PA units and latest F units (among others). Compared to the split frames, I consider these superior and a great "next step" in design evolution.
Kato's version of that design is vastly superior over the early designs.
I wrote and submitted an article over 5 years ago to N-Scale Magazine on how to diagnose loco noise.Maybe they will publish it one day.Thanks John for your great work on this.
John- do you have any similar referencing of the change in the GP-series (any B-B Atlas) of the 'current issue' universals for part number and usability? I haven't been able to tell which are which other than I know the new ones (which are more like a Kato design than the old hex-nut) are WAY better and quieter. Current GP7/9 Master universal part number is shown as 9480003 but no image. If that were the newer universal, that's probably the single biggest improvement to noise prevention in those yet - I ended up retiring most of my Classics just to get the new chassis with that slow-speed motor and that universal, and they are really quiet.