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The thing I like to remind people of. Atleast to my preference. Do you really notice if only one engine in a 3 unit lash up is making sounds or not? Recently I've started to get into the habit for long trains of having a designated leader with DCC + Sound. A superbass speaker etc. Which is usually still adequate for pulling its own short locals. But then backing it up with a couple engines that have motor + light decoders with extra weights added.
Do you really notice if only one engine in a 3 unit lash up is making sounds or not?
To a large extent I agree, unless the lashup is a RS11, a GP9, and a SD40-2.
This.Whether we like it or not, sound is the future. Atlas is addressing the tradeoffs of chassis design vs. space for a sound decoder and decent speaker. Sound decoders might continue to get smaller as electronics miniaturization continues (I expect they will), but physics dictates that speakers need to be as large as possible. So re-designing mechanisms to provide excellent running while still maximizing room for sound installations makes perfect sense. And should be applauded, IMHO. Honestly, why would anyone WANT some of the old LL stuff? Yes, the LL Berk was well-detailed and smooth running. But it can't pull more than 8 cars on level track and requires a PhD in electrical engineering to add DCC to. The LL GP18 mechanism was fine, but the shell (particularly handrails) was crude even for its time. The original PA-1 was plastic with huge lead weights, and the revision never got body details correct for the various roadnames. The second run of the 0-8-0 was very nice, but that tooling apparently is "lost in China". I'm sympathetic to those that want/need certain models, like the Erie-built; I'd pay a LOT for an FM H10 or H12 switcher in NKP paint (heck, I'd pay a lot for one in ANY paint and just repaint it if needed). But I don't have any interest in the old Trix model. It's 2024; manufacturers should produce stuff that is cutting edge for today, not 20 years ago.John C.