0 Members and 1 Guest are viewing this topic.
And when it comes to our model trains and the environment in which they live, why is it so *^&%%$ important to have a precise match? Paint colors on the same railroad varied notoriously from shop to shop, and the impact of road dust and weather beat it down further. Then, on top of that, we put our models on a layout under all variations of lighting, dust, cat hair and all manner of environmental duress. Does it really matter that your paint color is off a bit from that 60 year old slide of a 20 year old caboose that you found in a box under a table at a swap meet?
Out of respect for @Lemosteam and his efforts to gather some marketing data, I thought I'd move my (as usual) overly exuberant thoughts on the topic in a separate thread. I'm interested to hear some of your thoughts as well, and hopefully, encourage more of you to participate in the poll.On the surface, it makes perfect sense for the major manufacturers of rolling stock and locomotives to market the paint that's used to decorate their offerings.But given the current manufacturing ethos, where we get an ongoing series of limited production models, each in an even more limited array of paint schemes (overall the variety is good, but what gets produced this year may not come around on the merry go round for another 10 years, and God help the road name the doesn't meet sales projections)... What are the odds that Atlas or MT or BLI will want to inventory more paint than they actually need? Their business model no longer supports the ongoing supply of much of anything, much less something as demanding as paints, which would require an enormous amount of variety, endless inventory support, and a relatively low volume of sales given the decline of actual model building and the rise of increasingly complete and accurate models from the factory.As it is, Atlas approves the color that their factory acquires for a project, they keep enough on hand to complete the current run, and whatever's left probably wouldn't cover 10 boxcars if the factory's buyers are doing their job right. There are probably some popular colors that could benefit from ongoing availability, but as the major manufacturers of paints have gobbled up our beloved cottage providers, even they can't be bothered to try to satisfy our appetite for Cascade Green or Action Red, or Armour Yellow... And they're in the PAINT BUSINESS. Atlas, Athearn, Scale Trains, et all, are NOT. How could they possibly do it any better?Yes, from the hobbyist's perspective, whether you're building a z-scale 2-8-0 or rebuilding a 1:1 scale 280Z, it would be manna from heaven to walk into the all night paint store and pick up a bottle or can of the exact factory color that was applied half a world away yesterday, or 4 decades ago. I'm pretty sure that's just not going to happen.So what's the solution? Should there be a tiny version of the paint mixing department at Home Depot at your local hobby shop? Is it possible to develop "recipes" for a range of railroad colors, just as it is for all the shades you see in the decorating aisle of the hardware store? Imagine being next in line at that counter... "I need 2 oz of Enchantment Blue in a semi gloss acrylic please." (would they give you a tiny paint stirrer?)And when it comes to our model trains and the environment in which they live, why is it so *^&%%$ important to have a precise match? Paint colors on the same railroad varied notoriously from shop to shop, and the impact of road dust and weather beat it down further. Then, on top of that, we put our models on a layout under all variations of lighting, dust, cat hair and all manner of environmental duress. Does it really matter that your paint color is off a bit from that 60 year old slide of a 20 year old caboose that you found in a box under a table at a swap meet? It's like worrying about the precise reproduction of symphonic sound from the stereo in your convertible. It's nice, I'm sure, but do you really ever enjoy the full benefit of it?I do enjoy painting equipment. I do. My solution is to model the Western Maryland where most of the engines are black, the cabooses are red, and the hoppers are oxide. I keep a stock of giant rattle cans handy for just that purpose. I've found that I can get "close enough" for certain other colors by mixing cheap craft acrylic paints and diluting enough them to shoot through my air brush. So much of the hobby's enjoyment (for me, at least) comes from Trial and Error, experimentation, and pushing the limits of my own skills and experience. I know that's not always a popular stance with some of you, my brethren. But for me, it's a big part of the fun.Discuss.Sir Lee