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Yeah, got mine for $18 too.
Ok, that is a great price especially considering how much better the motor control, lighting effects, and function remapping are than a comparable Digitrax decoder (which costs more).
Here’s a pic of all the tools I use.The file card is 45 years old but still does its job well. The file card material comes originally just on the canvass backing in huge rolls. You just cut a bit off and glue it to a suitable block, as Per picture. I’m guessing this stuff is still available from tool supply houses and possibly even ready to run in similar size and already on a backing board. If you know a machine/metal shop they should know. Unless this is all too ancient technology now. (Attachment Link)
$18 at Litchfield Station
Here is the one I would get. on Amazon. Osborn International 75116SP Steel File Card, 3-3/4" Brush Area Length Osborn International $9.56.https://www.amazon.com/dp/B00J06IPQG/ref=cm_sw_r_sms_tai_vg0IAb0FF1YCF
Just purchased my first ESU decoders...I had to for that price from Litchfield. Thanks for posting that deal!I'm thinking of putting 2 of these non-sound decoders plus a single sound decoder in 3 unit consists as a budget way to get sound and good operations. Looks like it would cost about $122 for the three (18+18+86) which is what three TCS non-sound drop in decoders costs. Of course the speaker/enclosure/caps would add more cost to the install.
My current plan is to also run a combination of sound and non-sound decoder-equipped locos together, as I have too many locos to convert all of them to sound. I was just playing around with some loco lashup arrangements last night to see what arrangements are the most convincing. I found it's pretty hard to tell that there's a non-sound loco when it's sandwiched between two sound locos, especially if I could position the sound locos so that the ends with the speakers were closest to the non-sound unit. There's even kind of a stereo effect that sort of centers the sound over the non-sound loco, if you know what I mean (might depend on how similar the sound files are?). I also tried to put the non-sound loco in a lead and trailing position. Not as convincing but not too bad. At any rate, I'm willing to accept some compromise to keep the costs a bit more in check.
So I received my first decoder and installed it into an Athearn F59 that my son has been wanting to be DCC'd for a while. Turned out great! I removed the old DC light board, trimmed the plastic pins that held the old DC light board so the new ESU board could sit lower. I had to remove the plastic cab light housing since the board sits forward. I haven't dealt with the lighting situation yet...I'll be putting LEDs in for the headlights and individual ditch lights anyway.I took out a variety of locomotives to see what kind of frame mods would be need to fit this decoder in. They all would need some filing: IM SD45-2, SD45T-2 and SD40T-2. Atlas SD50/60, C40-8, SD7/9, B30-7, B40-8 and GP15. I'm not wild about spending an hour or more grinding away on a frame to make it work when there are so many other drop ins. I'm hoping I can use the other decoder in future revised frames (IM and Atlas).To get these to fit will need some frame mods in most locos. I have already done a bunch as I am standardizing to esu for my entire loco fleet. Mostly esu loksound with some esu lokpilots as well for the center loco in a three unit lash up as JC says or if I just can’t get sound in the loco.There are some very good drop in boards, but I am changing them out, namely digitrax and nce in my case, because one brand makes operating and programming and consisting easier IMHO. A big plus is that the lokpilot works well with the loksound including the delayed start and other features as others have said.While the frame mods can be a PITA I guess, in my case I actually enjoy the process, mostly!