0 Members and 4 Guests are viewing this topic.
-The fascia is cluttered with throttles and bottle/cup holders and clip boards. -And then if your switches are controlled by switches/throws that are located on the fascia, along with a track "map" you need to step back in order to read the thing. So take one non-svelte model railroader, add in a fascia covered with "goodies", mix in the I-have-to-step-back-in-order-to-follow-the-trackplan thing and that 36" aisle width becomes nada in no time.After thinking about it a little, the overall height of the upper deck presents a challenge...My upper deck is the same height=63" And originally I planned the upper deck to be at least 15" deep, but some testing found that trying to reach more than a foot at that height wasn't a good thing (not to mention allowing shorter folks to be able to see everything), so I scaled all my upper deck benchwork down to 12" deep.
Ok, I think I'm getting closer to understanding this. Here is my v.2 schematic:I have added color coding to indicate various branches more clearly (as I understand them). Black would be the main trunk line that runs from staging to staging over both levels. Green is the branch to Cottonwood and beyond (the Camas Prairie) and blue is the St Maries River line, though I think green & blue could be regarded as one operation. The grey tracks are the empty in/load out tracks (though I'm not sure what you have in mind for either end). Also, I suppose the section labeled UL switching should be regarded as another branch. Am I thinking about this correctly now? -gfh
Looking good Peter!Many potentially good spots for impressive scenery.Good call in removing the in/out helix.I think aisle width is still going to be uncomfortable in several spots for those nights when a full crew shows up. Not keen on the "roll-under" aspect for a couple different reasons.
Wow! Great picture!I like the contrast angle. Mark Dance has pulled that off very well on his layout.Yeah, the height thing with the roll-under can be an issue. But what bothers me (but doesn't necessarily bother others) is losing sight of your train for that period of time–it takes away from the experience of being the "engineer" of that train... It's a different feeling than a train going through a tunnel or helix. It those instances you're losing the sight of the train, but not the control. With the roll-under the train loses sight of you.
I like the changes too, and the One-trak picture! For those playing along at home, I updated the schematic to incorporate these changes and to call out a few things:Another thing I note about this plan is that the red trackage is something of an orphan: the wye off the main crosses the base of the peninsula then goes straight to staging. This would make sense if this represented a connection with the larger outside world, but then what role does Klugmann plays in the scheme? Is it the terminus of a branch, or a point on the main trunk that continues on?Cheers,Gary