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Although acid paste is preferred by a number of modelers here, my preference has always been for liquid acid flux. Each has its advantages: the paste stays put for control when needed, particularly for electronics, while the liquid flows into every nook and crannie for deep, effective and fast soldering of parts. You can get a small bottle of Stay Clean from Micro Mark (it includes a coil of silver solder): http://www.micromark.com/stay-brite-silver-solder-and-flux-1and2-oz-each,7556.html. It may not seem like much, but a little goes a long way; one of these bottles has lasted me a couple of years.
When looking for a source of flux, look at stained glass suppliers, too. I can get a pint of Ruby Fluid from my "local" stained glass store (delphiglass.com) for five bucks. That'll last you several lifetimes.
Have you used the paste? It liquifies instantly with heat and flows just as well. Personally I think it's easier to apply.
I like this H & N Superior No. 30 Supersafe flux http://www.ccis.com/home/hn/page2.htmlOrganic, no strong acids, works great.I've gone through less than 1/2 of an 8 oz. bottle over the last 4 years.
Thanks for both suggestions. Looking for Canadian sources for these products.
Hard to beat the thin solder and acid flux from Fast Tracks, which is a Canadian company.Tim
But, that's just me and my 30+ years of experience hand-building hundreds of turnouts and miles (scale) of hand-laid track speaking. Go ahead and use acid flux and pay the price later. Better Supersafe than sorry.
Right. I had to get up in the morning at ten o'clock at night half an hour before I went to bed, drink a cup of sulphuric acid, work twenty-nine hours a day down mill, and pay mill owner for permission to come to work, and when we got home, our Dad and our mother would kill us and dance about on our graves singing Hallelujah. And you try and tell the young people of today that... they won't believe you.
I'm not certain, but I believe flux made for stained glass work is more dilute than other fluxes.