Author Topic: Using Unitrack #4s for staging throat  (Read 3336 times)

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GimpLizard

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Re: Using Unitrack #4s for staging throat
« Reply #45 on: February 25, 2016, 08:17:38 AM »
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I maybe too late with this, but I'd also cast my vote for Atlas Code 80 remote switches. For these reasons; 1) Cost. 2) Reliability. 3) Ease of replacing switch machines if one goes bad. The only potential down-side is the unpowered frogs.

loyalton

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Re: Using Unitrack #4s for staging throat
« Reply #46 on: February 25, 2016, 07:05:01 PM »
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1) If cost is an issue, you can always buy used. 2) The tune-up is not always necessary but recommended for the Kato switch. Out-of-gauge Atlas switches are harder to fix because there may be multiple areas that need fixing; the latest run of these are better if not free of that problem. Operationally, Kato switches that are not badly ballasted (not a concern here) don't hang. 3) Considering the fragile look, Kato built-in switch machines are robust and don't go mysteriously bad on their own.


alhoop

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Re: Using Unitrack #4s for staging throat
« Reply #47 on: February 25, 2016, 10:21:15 PM »
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I have 5 Kato #6's and 2 double crossovers - all work flawlessly - not so the two Kato #4's I have. One is a
shelf queen, the other works at times. If you look at how the #4 is constructed you'll understand why
they are problematic - swaging can't be good for reliable contact.

Al
« Last Edit: February 25, 2016, 10:23:53 PM by alhoop »